…with my friends is the latest Full-Length project from producer Reversed Reference – released at the beginning of last month, this one has floated through my airwaves quite a few times. It’s a sprawling collection of ideas – where as the name suggests we find RR collaborating with quite a few fellow artists. The result is a smorgasbord of styles and sounds, flourishing with post-vapor flavor, all very lush and delicious.
Looks like there are still some tapes available at the time this is published, get your hands on one before they’re gone!
Dayton Ohio’s Coppice Halifax brings us two long-form projects to ease us into the coming summer. Springthaw is a unique and robust project, utilizing live recordings and improvisation to create vivid soundscapes. With all 4 tracks from the 2 EP’s played back to back, it results in nearly 2 hours of dense sonic exploration, reaching into the dark corners or ambience, electronics and dub tendencies.
Both EP’s are available via bandcamp either as Digital Downloads or Compact Discs.
Initially conceived as a more open-ended project, Springthaw manifested itself as four near-half-hour pieces that herald the arrival of Spring. This second volume contains the third and fourth pieces recorded for the project – Dark Room and Wind Hues – both bubbling over with organic textures and floral hiss. Deep dub techno basslines and rhythms anchor a drifting pastoral landscape of melting ice, blossoming color and bounding green hills.
Springthaw was improvised and captured live in the White Pillar Workshop, using a Gemini PDT-6000 turntable to select sides of heavily processed vinyl (solo piano pieces and chamber music) which set an atmospheric tone above/below a Korg ER-1 drum machine, Yamaha QY-70 sequencer, Grass S10CTCMA and a Unisonic “Chippendale” 8-track receiver (channeling local AM radio stations), augmented by FX units including three Moogerfoogers, Alesis Quadraverb, Pioneer spring reverb box, Boss RV-3, SL-20 & RC-20 and a Behringer US600. Everything was mixed on a Peavey FX24 hybrid mixer, and resident collaborator John-Paul Kramer (Coal, Casio Commander) assisted with pitch and modulation of the vinyl sides during three of the four performances.
Springthaw is (at present) a two-volume set, much like the previous Earthworks, Autochromata and the as-yet-unpublished Cedar Mastodon. Time, and seasonal change, will tell whether or not there will be further installments next year. The two volumes make a solid companion/postscript to the recently reinstated 24xCD-R set Dripping Earth, which also venerates Spring in its own way.
released May 30, 2017
W/P by Brian Grainger. Recorded live at White Pillar Workshop, March 2017. Assisted by John-Paul Kramer on “Dark Room”. Mastered by The Analog Botanist, April 2017. Photograph by Brian, Dayton 2017. This is Milieu Music number ABX63.
Wasabi Tapes brings us this twisted trip, YamaGucci. A unique hybrid of juke rhythms and spontaneous noise-glitches. Not for the timid or meek, these 12 tracks meander chaotically between order and disorder.
Favorite track: 7. Like Okinawa! Sea Tsunoshim
released 31 August 2015
No beating around the bush here; i released some new music for the first time since moving to Long Beach. The little project is available now over at bandcamp!
Dark, twisted and distinct. Quite laid-back, this 4-track release sits comfortable in the background of a mellow evening.
released 31 August 2015
W/P by Brian Grainger. Recorded at Botany Bay, April 2015. Mastered by The Analog Botanist. This is Milieu Music number EARTH 4, and fourth in the DEEP EARTH catalog.
Some tasty ambient-techno released late last year by Coppice Halifax