Fascinating electro-acoustic experiments from the duo of Greg Nieuwsma & Antonello Perfetto, brought to us by Hreám Recordings.
Supremely textural and appropriately dense – Asylum is a long form improvisational ambient session that swirls together the best aspects of avant-garde drone and pure sonic experimentation.
The sounds are playful and scattered. Crisp crackles and muted plucks crumble and churn against articulated percussion and semi-random strums. The wholesome tones of zipping steel strings and subtle cymbal pattering ride the line of organized chaos.
For fans of the uniquely avant-garde or anyone interested in having their brain tickled with some interesting tones. The album is available both digitally and on delicious looking cassettes via the labels Bandcamp page!
I use the word “satisfying” often when writing about music to help describe a fulfilling feeling without necessarily having a genre or emotion to assign. Yet again I return to that old well to tell you that Pessoa by Distant Animals is a truly satisfying listen.
Pessoa is a longform textural drone composition – a dense and hearty soundscape, populated with peculiar residents. Over the nearly 40 minute track, the listener traverses this alien world, gravitating towards and floating away from points of interest as they crest the horizon.
Hyperbole aside, it’s a carefully thought-out piece of atmospheric ambience. Sometimes dark, occasionally harsh, but overall presenting a mysterious atmosphere of agoraphobia and anticipation. Perfect for adding texture to your immediate atmosphere, or throw on the headphones and lose yourself in a vast expanse of sound.
Ethereal, calm and collected sounds from ambient producer Morteza Jahangiri.
Guo Voices is a 4 track project of sublime melancholy atmospherics. Perfect for a meditation session or morning relaxation to start your day a mellow way.
With a varied electro-acoustic palette – Morteza crafts unique soundscapes with a soft, delicate touch. There’s a cinematic feeling to the music, with chord progressions being slightly more bold than other contemporary ambient. Subtle melodies float atop plush synthetic pillows.
It’s a refreshing and hearty journey – feeling a lot longer than the 4 tracks lead to believe. You will likely find yourself coming back to this one, it’s cozy and thoughtful like an old friend. Stream and Download available directly from the artists bandcamp page.
Hello Music Lovers! I know it’s been a few weeks since sharing anything to this website – the world has weighed me down in all directions – but thing like this only slow us down….. A small thank you to everyone who has stuck with us, this website has been around a long time and we have no intention of going away!
Without further jibber jabber – I am enjoying some really mellow Monday tunes over here, a fresh release from Seouls CHO OYU label – a wonderful little hub for experimental ambient music. สวัสดี 𝐇𝐢𝐛𝐢𝐬𝐜𝐮𝐬 features 6 collaborative tracks created by Lua with assistance from Thai multi-instrumentalist Phayam. The project on a whole is very cozy and warm – touching flavors of hope and melancholy, giving the tracks some proper depth.
There is almost 2 sides to each track – a background is painted with lush textures and pleasing progressions – only to act as a stage for plinking and plucking piano riffs that are ultimately satisfying. Tracks like 𝙉𝙤𝙬 𝙄 𝙐𝙣𝙙𝙚𝙧𝙨𝙩𝙖𝙣𝙙 opt for a more stripped-down approach that I can really appreciate – the meditative nature of 2 hands wandering on a piano combined with the overall vibe of the album leads to quite a blissful mindstate…
The album is available now via CHO OYU’s bandcamp page – do yourself a favor and pick up their discography while you’re there – for about 8 dollars you can get all 10 of their releases including this one – so if you find yourself agreeing with this vibe, go and show some support!
New dub-techno sounds from Lithuanian label Cold Tear Records , home to some favorites like Vytis, Joergmueller, Slownoise and Heavenchord, we have a nice and mellow 4-track EP collaborative effort from Thomas Carmody & Altone – Cornflower and Camelia. It’s a tight and pleasant collection of tracks with lots of atmospheric play and subtle sound evolution. Hearty in length, the producers don’t rush the movement – building around slow and steady changes. Repeat listens will only leave you more satisfied than before.
Headphone Commute is one of my favorite places to discover interesting new ambient music – much to my delight they have a new featured mix highlighting minimal sound label Home Normal to commemorate their 10th anniversary. Quite the achievement indeed, and worthy of celebration – much like the mix, which is packed full of blissful atmospheric soundscapes, masterfully curated for optimal relaxation and immersion.
Presented by the illustrious Illuminated Paths crew is this phenomenal collection of tracks from Holobeams, ILLUMINATION!
Beautifully melodic and upbeat – ILLUMINATION soars through 10 tracks in an amazing swirl of synthesized atmosphere. The bubbling energy is bursting at the seams – with satisfying beats leading the way. Deeply satisfying progressions as well, inspiring feelings of comfort and nostalgia. IP recommends you listen on a Tape, and I think they might be right!
Echospace kicks back into action this year with an amazing remastered and reimagined project – subtraktive by cv313. A healthy detailed explanation regarding the history of this piece can be found on the albums bandcamp page – recounting the original incarnation from 2007. Subtraktive is a massive atmospheric exercise in dubby ambient techno, with the release highlighting 4 different angles of the same energy. Including unique segments culled from live performances, creating some very enjoyable longform tracks.
The project is available digitally as well as an impressive CD set containing the standard release along with 3×3″ minidiscs.
Sitting, trying to study I looped a sample I had been working on in my DAW. This sample stayed playing for approximately 30 minutes – on repeat. I stumbled upon ‘Moontides’, named after the complicated interplay between moon and tides. Rhythmically massive, the relationship is nevertheless tangible and can be seen at work on any coastline.
In this work I have taken sounds and stretched and manipulated them, warping tempo and rhythmic structure. All of the samples start at the same time, but due to their differing lengths they never ‘complete’ together. Combined with volume automation this allows for a release of constraint. Take, for instance, traffic noises in the early morning mingling with the sound of birds outside your window. The two sounds merge, relate to one another. They are not pre-planned, but are rather rhythmically spontaneous – the rhythm emerging as it becomes. This symbiosis, this rhythmic chance, is allowed to develop in the repeated playing of samples.
There exists, nevertheless, a structure. The song ‘wraps around’ as a bar (or a complete rhythmic unit) as the piece finishes. Therefore, each element never sits parallel, but rather its position to other elements shifts continually. Frankenstein’s monster, a complete butchery of beauty. Notes, preludes, sonatas and other flotsam and jetsam. It came out of an idea (an attempt) to do away with scales and notation and see what happened. All of the keys and scales are by ear, elements are pitched according to feeling, not rule. Tones clash, do battle and drift apart falling into harmony then dissaray.
Doing away with working within a Western theoretical understanding of music is not novel, and I do not pretend it is. This is purely a piece of pretentious imagination. However, the musical bastard – as I have so named this project – exists and is out here for your pleasure or pardon