Released December 22, 2018
music & artwork:
vru patel
Released December 22, 2018
music & artwork:
vru patel
Excerpt taken from Bandcamp relaese page.
Sitting, trying to study I looped a sample I had been working on in my DAW. This sample stayed playing for approximately 30 minutes – on repeat. I stumbled upon ‘Moontides’, named after the complicated interplay between moon and tides. Rhythmically massive, the relationship is nevertheless tangible and can be seen at work on any coastline.In this work I have taken sounds and stretched and manipulated them, warping tempo and rhythmic structure. All of the samples start at the same time, but due to their differing lengths they never ‘complete’ together. Combined with volume automation this allows for a release of constraint. Take, for instance, traffic noises in the early morning mingling with the sound of birds outside your window. The two sounds merge, relate to one another. They are not pre-planned, but are rather rhythmically spontaneous – the rhythm emerging as it becomes. This symbiosis, this rhythmic chance, is allowed to develop in the repeated playing of samples.
There exists, nevertheless, a structure. The song ‘wraps around’ as a bar (or a complete rhythmic unit) as the piece finishes. Therefore, each element never sits parallel, but rather its position to other elements shifts continually. Frankenstein’s monster, a complete butchery of beauty. Notes, preludes, sonatas and other flotsam and jetsam. It came out of an idea (an attempt) to do away with scales and notation and see what happened. All of the keys and scales are by ear, elements are pitched according to feeling, not rule. Tones clash, do battle and drift apart falling into harmony then dissaray.
Doing away with working within a Western theoretical understanding of music is not novel, and I do not pretend it is. This is purely a piece of pretentious imagination. However, the musical bastard – as I have so named this project – exists and is out here for your pleasure or pardon
– Jonah Hebron aka Mzungu
Before they are lost to the sands of time, here are a few enjoyable listens that were released a few months ago…
Released October 8th 2018 – City By Night (UK)
Colossal and beautiful ambient works from Soular Order – very lush and relaxing soundscapes with just the right hint of melancholy wonder. Perfect for rainy nights and reflection.
Released October 6th 2018 – Self Released
Looking for a brief blissful escape from the real world? May I recommend Saturday Drones – a longform ambient track by producer Spheruleus – highly recommended headphone listen!
Released September 21, 2018 – Legendary Entertainment
Fascinating and satisfying abstract electronics with just the right amount of vapor flavor – aquatic and mystical….
Released October 8th 2018 – Hello Strange
Lush and expansive dub-techno bridging the gaps between deep house and ambient stylings, stretched carefully across 5 beautiful tracks.
Released October 7th 2018 – DMT Tapes
Hello ET readers!
Before I start loading this post up with links, I wanted to take a second to thank anyone and everyone who has supported this project from the beginning – I am inspired every day by seeing artists and collectives still producing and curating amazing content, along with a whole new generation of content creators pulling the underground scene into new directions and uncharted territories.
It is in this spirit that I am announcing a slight shift in the blog format to better accommodate both the current underground climate as well as my own personal habits and responsibilities. Moving forward, I will be focusing on posting “Lists” of recommended listens, opposed to individual “Quick Picks” of my findings. I feel this is a logical step, and also one that will be beneficial to both the readers and the artists featured. So without further explanation or excuse, here is the first list to kick off October 2018 – please enjoy browsing and exploring this batch of recommended underground music!!
Released October 5th, 2018 – DMT Tapes FL
The ever-busy DMT Tapes Florida has graced us with another beautiful, meandering release from Reflections From Nowhere – tinged with a slight melancholy and dystopian vibe, the 13 tracks seem to drip from one to the next, laced with droning synths and keys, dusted with downtempo grooves and textures. The tape on a whole is quite a satisfying listen, as I found myself going back for a repeat listen 2/3 times whenever I pressed play… 🛰
Released September 30, 2018 – Self Released
Longtime readers will know that I am a fan of Marcus Eads’ stripped back, “Primitive” Americana compositions – so it is no surprise that I am both excited and pleased with his latest offering, Rum River Ramble. In traditional Eads fashion, the album is a peaceful homage to archaic sounds, featuring vibes ranging from swinging mellow melodies to thoughtful blues. Throughout the record, Marcus utilizes not only the Acoustic Guitar, but a peppering of unique instruments like the Dulcimer and Autoharp! Quite the enjoyable listen for a relaxing morning coffee. ☕️
Released October 5th, 2018 – Self Released
Dark and atmospheric Drum & Bass from UK’s Doctor Jeep – featuring collaborations with Fixate and Cirrus, with remixes from Hyroglifics and Sinistarr). Wonderfully satisfying dark club grooves with flavors of dub and world sounds. 🌍
Released October 5th, 2018 – Self Released
New Belgium producer Hybrid Boy presents us with an energetic and bold 3-track EP as a first release on the scene – each track is packed with atmosphere and energy, utilizing extraordinary drumwork and soundscape crafting. Definitely excited to hear more from this young producer in the future! 🌀
“Experimental Trip Hop from Vienna/AT” – Saint Elsewhere strings together chilled electronics, downtempo beats and blissful vocals in a small collection of songs uploaded to Choon. Quite interesting stuff, subtle and worth multiple listens 🤙
Listen: Self-Titled 6 Track Album
Here is some weirdness for you fam! I won’t waste your time – enjoy the listen!
Hey gang! I am back in action and feeling better than ever! I have been discovering so much wonderful music lately I simply cannot hold back from telling the world!
One thing in particular that has sparked a lot of energy has been exploring the CHOON platform – its vibe has taken me back to the old SoundCloud days, and I have simply adored lurking around the website for quality music. So to help usher back in this sonic exploration, head over to my Choon page (currently operating under my OHSAURUS moniker) and give a listen to Mellow Choons Vol.1 !
I will be posting more frequently – sounds from the underground as always – from the depths of bandcamp, soundcloud, and anywhere else I can find aural experiments! As always feel free to send your submissions my way – twitter tends to be the quickest way to reach me, however the good ‘ol submission form always works too! Anyways please enjoy, see you on the other side….

Solid vaporwave from Invisible Lover – courtesy of the squad at DMT Tapes.

Torontos Legendary Entertainment bring us an interesting new project from producer DR00 – Guitar Samples. An experimental 9 track tape that is, according to the creator, made entirely of guitar samples, sans a few bits of percussion on a track or two. The result is a very organic and interesting listen. The vibe is solid whether the track is pulsing with rhythms like the remixed Oak, or simply blissing out over the possibilities of sonic manipulation on tracks such as Beyond Recognition.
You can grab a CD of the project from Legendary Entertainment, there is also a Cassette release available via Æescape Sounds, but either way you will be doing yourself a favor picking this up!

Colorado label Community Radio Tapes presents us with this beautiful little oddity by Heart Eyes, Whatever it is, Whenever you feel like it is a 6 track tape of glazed bedroom ambience with plenty of emotion.
The tape is quite pleasant with some interesting ideas, though there is a lot of weirdness going on it always remains a comfortable weirdness. The kind that you know won’t harm you. However there is an anxiety to some of the tracks, a looming melancholy that sits really heavy! Do not panic however, it’s a very nice listen and ends on a high note.
You can download the album via bandcamp or purchase a cassette copy from the same page!
Good for
Favorite Track: I am crying, I can’t talk