piano – Eternity Tree

Flotsam & Jetsam, by Bing Satellites

Flotsam & Jetsam is a new Ambient/Modern Classical album from prolific UK producer Bing Satellites.

Consisting of seven piano “sketches” – Flotsam & Jetsam sees a more delicate and intimate side of Bing Satellites that is most welcome. Known best for their shoegaze-infused-ambient, opting instead for the use of Acoustic Piano which lends a feeling of emotion and closeness to the project. Even with the introduction of pads/synths within the tracks always leaves ample room for improvisation on the keys.

The album itself is incredibly relaxing, almost immediately I was instilled with a sense of calmness and introspection. Wistfully meandering between optimism and melancholy, the sounds are perfect for a moody-rainy day. There is a deep satisfaction I derive from these sounds – perhaps nested in the electro-acoustic nature, or years of emotion carefully folded into the songs.

You can pick the digital edition of the album up now via Bing Satellites bandcamp page – along with a very attractive CD package available! For those of you who are true ambient lovers, consider supporting the artist via their monthly subscription, or consider picking up the extended discography of over 200 releases for less than $50 – the amount of music you get in return is borderline overwhelming but it’s highly encouraged. Don’t sleep on this amazing producer, and if you do, be sure to throw on Flotsam & Jetsam before you shut your eyes…

Moon Tides, by Mzungu

Quick Picks

Excerpt taken from Bandcamp relaese page.

Sitting, trying to study I looped a sample I had been working on in my DAW. This sample stayed playing for approximately 30 minutes – on repeat. I stumbled upon ‘Moontides’, named after the complicated interplay between moon and tides. Rhythmically massive, the relationship is nevertheless tangible and can be seen at work on any coastline.

In this work I have taken sounds and stretched and manipulated them, warping tempo and rhythmic structure. All of the samples start at the same time, but due to their differing lengths they never ‘complete’ together. Combined with volume automation this allows for a release of constraint. Take, for instance, traffic noises in the early morning mingling with the sound of birds outside your window. The two sounds merge, relate to one another. They are not pre-planned, but are rather rhythmically spontaneous – the rhythm emerging as it becomes. This symbiosis, this rhythmic chance, is allowed to develop in the repeated playing of samples.

There exists, nevertheless, a structure. The song ‘wraps around’ as a bar (or a complete rhythmic unit) as the piece finishes. Therefore, each element never sits parallel, but rather its position to other elements shifts continually. Frankenstein’s monster, a complete butchery of beauty. Notes, preludes, sonatas and other flotsam and jetsam. It came out of an idea (an attempt) to do away with scales and notation and see what happened. All of the keys and scales are by ear, elements are pitched according to feeling, not rule. Tones clash, do battle and drift apart falling into harmony then dissaray.

Doing away with working within a Western theoretical understanding of music is not novel, and I do not pretend it is. This is purely a piece of pretentious imagination. However, the musical bastard – as I have so named this project – exists and is out here for your pleasure or pardon

– Jonah Hebron aka Mzungu

released September 4, 2018

Far Away Music, by Benjamin Louis Brody

Quick Picks

Far Away Music is an contemporary classical/ambient music project by composer and producer Benjamin Lous Brody, and is his first appearance on UK’s Preserved Sound Label.

The album itself is very subtle; built around churning strings and cavernous tones. The arrangements are dense, yet leave something for the imagination to fill in, resulting in a very rewarding listen. The general feeling seems to balance on the line of melancholy and awe, with the orchestra painting a vast and inspiring landscape around the listener.

Good For:

Study Sessions
Late Night Chill
Meditation

Favorite Track: 2. Floating into Infinity

The Forest Diaries, by Dag Rosenqvist

Quick Picks

Another slice of Eilean greatness, this time Dag Rosenqvist presents us with some hyper-relaxed modern classical goodness. Floating around between drones and fog, The Forest Diaries remains emotional and focused over long 10 tracks. Lots of work here featuring piano as well as other acoustic instrumentation. The entire release is saturated in a subtle, lonely feeling, not in a bad way, but more of a “lonely for a day” sorta way. Whether it makes you relax or reminisce, this is one highly recommended body of work.

Favorite Track: 8. VIII

Date : 07.07.15
Map point : eilean 37
Color : blue
Season : summer
Duration : 42.15 mn
Edition : limited to 180 copies

This music was made for the project The Forest Diaries created by the Swedish choregrapher and dancer Jenny Larsson and made possible with generous donations from Inger Abrahamsson, Dale Andree, Janne Anundi, Irene Arikan, Christine Arleij, Margareta Armbrust, Anita & Svante Arthursson, Åsa Johansson Bagley, Blanca & Chad Bairnsfather, Joanne Barrett, Ayhan Bulut, Tere Alvarez’ Canida, Rachel Carroll, Maria Chinda, Ulrika Daun, Gretchen Denton, Celeste Fraser Delgado, Sophie Olsson Dogruman, Jose’ Manuel Dominguez, Hanna Dorve, Malin Dorsey, Karin DuPlessis, Lena Dyring, Therese Felth, Mariana Harari Froment, Hanna Dermes Gibson, Johan Grinde, Jennie Grip, Ann-Sofi Gustafsson, Caroline Haag, Tina Hanniger, Sara Hedberg, Jill Hoffman, Sandra Höpfner-Buchnitzki, Martina Arthursson Immonen, Britt-Marie Isacson, Mia Karlsson, Serusa Katabami, Sally Lamb, Elana Lanczi, Erik Larsson, Sara Leifsdottir, Mary Luft, Heather Maloney, Kathryn von Matthiessen, von Matthiessenvon Matthiessenvon MatthiessenT Malo, Karen Mikalsen, Charlotte Marthinsson, Felizia Mulchan, Juliana Navarro, Carly Nordström, Christine Nilsson, Mariana Oliveira, Christopher Payen, Karen Peterson, Carlota Pradera, Sandra Portal-Andreu, Ellen Raddum, William Rey, Åsa SeiplaxViveka le Roux, Susanna Robinson, April Sellers, Ellinor Seiplax, Kristina & Anders Sturk Steinwall, Anna Skott, Henrik Skott, Maxine Steinman, Kimber & Petrus Sundevall, Mauricio Tijerino, Tom & Maite Thornton, Kine Halvorsen Thoren, Marta & Frank Torres, Aaron Tuckler, Therese Wagenius ThörnThörn, Maria Wagenius, Daniela Wancier, Seth Warren-Crow.

www.dagrosenqvist.bandcamp.com
www.jennylarsson.org

VIDEO (by Jenny Larsson) : www.vimeo.com/130442694

released 07 July 2015

Written, arranged, performed and produced by Dag Rosenqvist.
Recorded and mixed at The 63rd Link in Gothenburg, 2014.

Mastered by Matthew Collings
Artwork Photography by Martin Vlach (front) &
Liam Frankland (inside)
Inside Photography by Mathias Van Eecloo
Design by Superfluxgrafizm

“Thanks to : Mathias Van Eecloo, Rémi Verdier, Matthew Collings, Liam Frankland, Jenny Larsson. Family and friends.”

Favorite Track: 4. Hem

Check out a more thorough write-up over at the amazing music blog Make Your Own Taste

Tag: piano

Flotsam & Jetsam, by Bing Satellites

Moon Tides, by Mzungu

Far Away Music, by Benjamin Louis Brody

The Forest Diaries, by Dag Rosenqvist

Winter’s Stories, by Nhung Nguyen

INSIGHT, by Julien Marchal

A Certain Tide, by Tiny Leaves

The Long Bright Dark, by Polaroid Notes

The Life and Death of Aurora Tides, by Meta Mora

Gesture & Texture by K. Novotny

≈ Spread Roots ≈

Like this:

≈ Spread Roots ≈

Like this:

≈ Spread Roots ≈

Like this:

≈ Spread Roots ≈

Like this:

≈ Spread Roots ≈

Like this:

≈ Spread Roots ≈

Like this:

≈ Spread Roots ≈

Like this:

≈ Spread Roots ≈

Like this:

≈ Spread Roots ≈

Like this:

≈ Spread Roots ≈

Like this: