Far Away Music, by Benjamin Louis Brody

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Far Away Music is an contemporary classical/ambient music project by composer and producer Benjamin Lous Brody, and is his first appearance on UK’s Preserved Sound Label.

The album itself is very subtle; built around churning strings and cavernous tones. The arrangements are dense, yet leave something for the imagination to fill in, resulting in a very rewarding listen. The general feeling seems to balance on the line of melancholy and awe, with the orchestra painting a vast and inspiring landscape around the listener.

Good For:

  • Study Sessions
  • Late Night Chill
  • Meditation

Favorite Track: 2. Floating into Infinity

 

The Forest Diaries, by Dag Rosenqvist

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Another slice of Eilean greatness, this time Dag Rosenqvist presents us with some hyper-relaxed modern classical goodness. Floating around between drones and fog, The Forest Diaries remains emotional and focused over long 10 tracks. Lots of work here featuring piano as well as other acoustic instrumentation. The entire release is saturated in a subtle, lonely feeling, not in a bad way, but more of a “lonely for a day” sorta way. Whether it makes you relax or reminisce, this is one highly recommended body of work.

Favorite Track: 8. VIII

Date : 07.07.15
Map point : eilean 37
Color : blue
Season : summer
Duration : 42.15 mn
Edition : limited to 180 copies

This music was made for the project The Forest Diaries created by the Swedish choregrapher and dancer Jenny Larsson and made possible with generous donations from Inger Abrahamsson, Dale Andree, Janne Anundi, Irene Arikan, Christine Arleij, Margareta Armbrust, Anita & Svante Arthursson, Åsa Johansson Bagley, Blanca & Chad Bairnsfather, Joanne Barrett, Ayhan Bulut, Tere Alvarez’ Canida, Rachel Carroll, Maria Chinda, Ulrika Daun, Gretchen Denton, Celeste Fraser Delgado, Sophie Olsson Dogruman, Jose’ Manuel Dominguez, Hanna Dorve, Malin Dorsey, Karin DuPlessis, Lena Dyring, Therese Felth, Mariana Harari Froment, Hanna Dermes Gibson, Johan Grinde, Jennie Grip, Ann-Sofi Gustafsson, Caroline Haag, Tina Hanniger, Sara Hedberg, Jill Hoffman, Sandra Höpfner-Buchnitzki, Martina Arthursson Immonen, Britt-Marie Isacson, Mia Karlsson, Serusa Katabami, Sally Lamb, Elana Lanczi, Erik Larsson, Sara Leifsdottir, Mary Luft, Heather Maloney, Kathryn von Matthiessen, von Matthiessenvon Matthiessenvon MatthiessenT Malo, Karen Mikalsen, Charlotte Marthinsson, Felizia Mulchan, Juliana Navarro, Carly Nordström, Christine Nilsson, Mariana Oliveira, Christopher Payen, Karen Peterson, Carlota Pradera, Sandra Portal-Andreu, Ellen Raddum, William Rey, Åsa SeiplaxViveka le Roux, Susanna Robinson, April Sellers, Ellinor Seiplax, Kristina & Anders Sturk Steinwall, Anna Skott, Henrik Skott, Maxine Steinman, Kimber & Petrus Sundevall, Mauricio Tijerino, Tom & Maite Thornton, Kine Halvorsen Thoren, Marta & Frank Torres, Aaron Tuckler, Therese Wagenius ThörnThörn, Maria Wagenius, Daniela Wancier, Seth Warren-Crow.

www.dagrosenqvist.bandcamp.com
www.jennylarsson.org

VIDEO (by Jenny Larsson) : www.vimeo.com/130442694

released 07 July 2015

Written, arranged, performed and produced by Dag Rosenqvist.
Recorded and mixed at The 63rd Link in Gothenburg, 2014.

Mastered by Matthew Collings
Artwork Photography by Martin Vlach (front) &
Liam Frankland (inside)
Inside Photography by Mathias Van Eecloo
Design by Superfluxgrafizm

“Thanks to : Mathias Van Eecloo, Rémi Verdier, Matthew Collings, Liam Frankland, Jenny Larsson. Family and friends.”

Auratia, by Variant

Here is one EPIC drone project. 2 tracks clocking in at just under an hour each, these compositions explore the depths of sound and emotion. Here is a description provided with the release….

This new sonic submersion was inspired by found sounds and field recordings captured during the blizzard known as “linus”, the 5th worst blizzard in Chicago and Detroit’s history. the magic of the polar vortex and the arctic conditions it left behind inspired and set the stage for the creation of “auratia” and the mystical sonic world it evoked.

Variant’s “Auratia” is made entirely with hardware, paying homage to infinite forms of synthesis, from analog, dco, waveshaping, vector, there’s a myriad of forms explored producing unique results. Vintage analog equipment in conjunction with innovative customized modular synthesizers winnow a basis for algorithmic structure improvisation. This sound experiment re-synthesizes from a current plane into altered planes of effects-a radically new experience that breaks down barriers. Ghostly harmonics fold and unfold like symmetrical patterns in nature to generate a myriad of complex and infinite rhythmic lines. Tessellations for higher dimensions, this mosaic of melody delivers an eccentric experience. Something for the heads in search of sonic meditation with 2 near 60 minute infinite pieces of organic dub grooves with an emphasis on synthesis experimentation and out-of-this world sonic apparitions.

“What I give form to in daylight is only one per cent of what I have seen in darkness.” -M. C. Escher